Comparing color usage in abstract, oil, and Chinese ink paintings

Yu Fan Li, Zhen Bao Fan, Yi Xuan Zhu, Christine Yan, Kang Zhang*

*Corresponding author for this work

Research output: Contribution to journalJournal Articlepeer-review

3 Citations (Scopus)

Abstract

Abstract: Color is one of the fundamental elements of paintings. This paper proposes a set of measurements for color usage in a painting, including basic color elements, global and local color harmony, and color statistical properties, characterizing color features from both the spatial domain and frequency domain. We also collect a painting set including 1059 abstract paintings, 1012 oil paintings, and 1003 Chinese ink paintings. Applying the measurements to this painting set, we are able to observe the roles of color in the three genres of paintings. We report our findings in detail on the effectiveness of these measurements. Chinese ink paintings are significantly different from abstract and oil paintings in color usage, while abstract paintings emphasize color more than the two other genres. The measurements may serve as tools for the classification of paintings. The work is the first of this kind and points to further investigation of color usage in other forms of art and design. Graphical abstract: [Figure not available: see fulltext.]

Original languageEnglish
Pages (from-to)1389-1404
Number of pages16
JournalJournal of Visualization
Volume26
Issue number6
DOIs
Publication statusPublished - Dec 2023
Externally publishedYes

Bibliographical note

Publisher Copyright:
© 2023, The Visualization Society of Japan.

Keywords

  • Aesthetics assessment
  • Color evaluation
  • Color harmony
  • Computational aesthetics
  • Paintings

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